Landscape Exhibition, Comber Street Studios 5 Comber Street, Paddington, Friday 31 March to Sunday 2 April 2023

1 – Tahi

Oil and charcoal on canvas
Dimensions
  • Painting 200x200mm
  • Framed dimensions 415x415mm
  • $750

2 – Rua

Oil and charcoal on canvas
Dimensions
  • Painting 200x200mm
  • Framed dimensions 415x415mm
  • $750
 Sold

3 – Toru

Oil and charcoal on canvas
Dimensions
  • Painting 200x200mm
  • Framed dimensions 415x415mm
  • $750

4 – Whā

Oil and charcoal on canvas
Dimensions
  • Painting 200x200mm
  • Framed dimensions 415x415mm
  • $750
 Sold

5 – Rima

Oil and charcoal on canvas
Dimensions
  • Painting 200x200mm
  • Framed dimensions 415x415mm
  • $750

6 – Ono

Oil and charcoal on canvas
Dimensions
  • Painting 200x200mm
  • Framed dimensions 415x415mm
  • $750

7 – Whitu

Oil and charcoal on canvas
Dimensions
  • Painting 200x200mm
  • Framed dimensions 385x385mm
  • $750

8 – Waru

Oil and charcoal on canvas
Dimensions
  • Painting 200x200mm
  • Framed dimensions 385x385mm
  • $750

9 – Iwa

Oil and charcoal on canvas
Dimensions
  • Painting 200x200mm
  • Framed dimensions 385x385mm
  • $750

10 – Tekau

Oil and charcoal on canvas
Dimensions
  • Painting 200x200mm
  • Framed dimensions 385x385mm
  • $750

11 – Tekau mā tahi

Oil and charcoal on canvas
Dimensions
  • Painting 200x200mm
  • Framed dimensions 385x385mm
  • $750

12 – Tekau mā rua

Oil and charcoal on canvas
Dimensions
  • Painting 200x200mm
  • Framed dimensions 385x385mm
  • $750
 Sold

13 – Tekau mā toru

Oil and charcoal on canvas
Dimensions
  • Painting 200x200mm
  • Framed dimensions 375x375mm
  • $750
 Sold

14 – Tekau mā whā

Oil and charcoal on canvas
Dimensions
  • Painting 200x200mm
  • Framed dimensions 375x375mm
  • $750
 Sold

15 – Tekau mā rima

Oil and charcoal on canvas
Dimensions
  • Painting 200x200mm
  • Framed dimensions 375x375mm
  • $750
 Sold

16 – Hapurona i Puketakauere

Oil and charcoal on canvas
Dimensions
  • Painting 200x200mm
  • Framed 410x410mm
  • $650

Aerial View of Key Battle in the NZ Wars

Early on the morning of 27 June 1860, on the West Coast of the North Island, Major Thomas Nelson of the British colonial forces and 350 men, set out to attack the fortified pā at Puketakaurere. They suffered an embarrassing defeat at the hands of chief Hapurona and around 150 men who lay waiting in rifle pits on their flanks.

17 – Rāwiri Puhirake i Pukehinahina

Oil and charcoal on canvas
Dimensions
  • Painting 200x200mm
  • Framed 410x410mm
  • $650

Aerial View of Key Battle in the NZ Wars

At daybreak on 29 April 1864, British Lieutenant-General Duncan Cameron ordered an attack on Pukehinahina (Gate Pā, Tauranga) which began with an artillery barrage followed by an infantry assault however Rāwiri Tuaia Puhirake had gathered 250 Māori at Pukehinahina to resist the British encroachment. They defended the pā from a network of underground anti-artillery bunkers and concealed trenches, causing heavy casualties for the British.

The British retreated leaving their dead and wounded behind. Overnight, wounded British soldiers were tended to by Māori, and most of the defenders escaped. The next day, the British found the pā abandoned. Thirty-five British regulars died during the engagement and 75 were wounded.

18 – Tītokowaru i Te Ngutu

Oil and charcoal on canvas
Dimensions
  • Painting 200x200mm
  • Framed 410x410mm
  • $650

Aerial View of Key Battle in the NZ Wars

The Prussian soldier of fortune Gustavus Ferdinand von Tempsky’s exploits during the battles of the 1860s had made him a folk hero for many European settlers. On 7 September 1868, as part of the Armed Constabulary commanded by Thomas McDonnell, he attacked Tītokowaru’s forest stronghold, Te Ngutu-o-te-manu. The troops out numbered Tītokowaru’s force six to one but were severely beaten with around twenty troops killed. McDonnell ordered a retreat but Von Tempsky was killed outside the pā before he received this order.

19 – Tītokowaru i Moturoa

Oil and charcoal on canvas
Dimensions
  • Painting 200x200mm
  • Framed 410x410mm
  • $650

Aerial View of Key Battle in the NZ Wars

On 7 November 1868, a group consisting of 250 Armed Constabulary and 300 Whanganui Māori set out towards Moturoa. Although the pā appeared to be only partially constructed, the site had concealed firing trenches and low towers made of packed earth.

Tītokowaru’s force waited until the last possible moment before unleashing a devastating attack on the exposed party. The ambush resulted in heavy casualties, with most of the attacking force lying dead or wounded within just a few minutes. The defenders then moved into hidden rifle pits on the flanks, maintaining a heavy fire that forced the attackers to retreat.

The casualties were significant; the attacking force lost 19 men killed and 20 wounded, while Tītokowaru’s force lost only one.

20 – Te Kooti i Tūranganui-a-Kiwa

Oil and charcoal on canvas
Dimensions
  • Painting 200x200mm
  • Framed 410x410mm
  • $650

Aerial View of Key Battle in the NZ Wars

Te Kooti was one of hundreds who were exiled to the remote Chatham Islands. During his time in exile, his land at Matawhero in Tūranganui-a-Kiwa (Poverty Bay) had been occupied by Major Reginald Biggs and the prominent trader George Read had also taken land in the settlement.

On 9 November 1868, shortly before midnight, Te Kooti and approximately 100 men launched an attack on Matawhero. By dawn, nearly 60 people had been killed, including roughly equal numbers of Māori and Pākehā from Matawhero and the adjacent kāinga (village). While some were shot, most were killed with bayonets, tomahawks, or patu to avoid alerting their neighbours.

21 – Te Whiti o Rongomai i Parihaka

Oil and charcoal on canvas
Dimensions
  • Painting 200x200mm
  • Framed 410x410mm
  • $650

Aerial View of Key Battle in the NZ Wars

Parihaka, established in the mid-1860s, became a sanctuary for Māori who had been dispossessed of their land. Te Whiti-o-Rongomai and Tohu Kākahi, both from the Taranaki and Te Āti Awa iwi, were the main leaders. In May 1879, the colonial government tried to occupy confiscated land on the Waimate Plains. Te Whiti and Tohu developed non-violent resistance tactics, and ploughmen from Parihaka spread across Taranaki to claim Māori ownership of the land. The government passed laws targeting the protesters and imprisoned hundreds of ploughmen without trial.

On 5 November 1881, around 1600 troops marched on Parihaka, which had become a symbol of peaceful resistance to the confiscation of Māori land. Native Minister John Bryce led the force, and as they arrived, several thousand Māori sat quietly on the marae while singing children welcomed them. Bryce saw Parihaka as a “headquarters of fanaticism and disaffection” and ordered the leaders’ arrest, destroyed much of the village, and forced most of its inhabitants to disperse.

22 – Rua tekau mā rua

Oil and charcoal on canvas
Dimensions
  • Painting 200x200mm
  • Framed 410x410mm
  • $750
 Sold

23 – Rua tekau mā toru

Oil and charcoal on canvas
Dimensions
  • Painting 200x200mm
  • Framed 410x410mm
  • $750
 Sold

24 – Rua tekau mā whā

Oil and charcoal on canvas
Dimensions
  • Painting 200x200mm
  • Framed 410x410mm
  • $750
 Sold

25 – Rua tekau mā rima

Oil and charcoal on canvas
Dimensions
  • Painting 200x200mm
  • Framed 410x410mm
  • $750
 Sold

Exhibition

The show opened at Comber Street Studios, 5 Comber Street, Paddington, 6pm Friday 31 March 2023 and ran for three days to Sunday 2 April.
Guy Chapman at the opening of landscape exhibition named Ngā Puke o Aotearoa

Shop

Numerous paintings were sold at the exhibition but the remaining works are available in the online shop. The shop is set up for both Australian and international payments and shipping.
The crowd at the opening of Guy Chapman's landscape exhibition named Ngā Puke o Aotearoa

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The Story

For some years now, my paintings have been exploring a connection to the New Zealand landscape, that, as someone from a colonial heritage, I didn’t feel was mine to fully embrace – but then I received some surprising DNA results…

It turns out, I have a different biological father than I thought, revealing Māori ancestry that connects me to the Ngāi Tahu people of Te Waipounamu, the South Island of New Zealand, an area with some of the most glorious, mountainous landscapes in the country.

 

The sense of belonging I was searching for, through the repeated motif of the lines and shapes of the hills in my work, was finally realised. This flipped my point-of-view, from that of an outsider looking in, to someone with a genuine ancestral connection to the hills of New Zealand.

Names

The Māori names of the paintings are the number of the work in Māori language, if nothing else, this has helped me with some small steps in my language journey. The red paintings about the NZ wars are named differently using the name of the warrior and the place of the battle.

Each painting has a link to its own permanent web page underneath the image. Comments are open on those pages so you are welcome to login in and start a conversation about a particular work – kind of old-school, pre-facebook, blogging style, enjoy.